Vatican II & Liturgy - Part 12

Rev. Noah Carter • April 23, 2022

“ The musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art. The main reason for this pre-eminence is that, as sacred song united to the words, it forms a necessary or integral part of the solemn liturgy. Holy Scripture, indeed, has bestowed praise upon sacred song (Cf. Eph. 5:19; Col. 3:16), and the same may be said of the fathers of the Church and of the Roman pontiffs who in recent times, led by St. Pius X, have explained more precisely the ministerial function supplied by sacred music in the service of the Lord. Therefore sacred music is to be considered the more holy in proportion as it is more closely connected with the liturgical action, whether it adds delight to prayer, fosters unity of minds, or confers greater solemnity upon the sacred rites. But the Church approves of all forms of true art having the needed qualities, and admits them into divine worship.

“The treasure of sacred music is to be preserved and fostered with great care. Choirs must be diligently promoted, especially in cathedral churches; but bishops and other pastors of souls must be at pains to ensure that, whenever the sacred action is to be celebrated with song, the whole body of the faithful may be able to contribute that active participation which is rightly theirs.

“The Church acknowledges Gregorian chant as specially suited to the Roman liturgy: therefore, other things being equal, it should be given pride of place in liturgical services.

But other kinds of sacred music, especially polyphony, are by no means excluded from liturgical celebrations, so long as they accord with the spirit of the liturgical action

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church's ceremonies and powerfully lifts up man's mind to God and to higher things” (Second Vatican Council, Sacrosanctum Concilium , para. 112, 114, 116, and 120).

While music can tend to be an explosive topic in parish churches, it makes it pivotal that all know what the Second Vatican Council said concerning sacred music. In the first paragraph, the Council points back to Pope St. Pius X, who set out the qualities of sacred music in his encyclical “Tra le sollecitudini.” On our website on the Sacred Music page, there is an article I published in 2015 that links these principles and also explains what is written above about what the Church means by Gregorian chant having “pride of place.” You can point your browser to www.holycrossnc.com/music.

In just three months, we have studied together the Second Vatican Council’s Constitution on the Sacred Liturgy Sacrosanctum Concilium. This was the first document that the Council solemnly ratified and published. By knowing what the Council called for and then the reform that happened, it sheds light on the reality that the experience of the liturgical reform was not what the Second Vatican Council intended.

Pastor's Ponderings

God in Hiding

By Noah Carter • April 18, 2026
We reflect this weekend on Christ's appearance to two of his disciples as they journey from Jerusalem to the town of Emmaus. They do not recognize him until he celebrates the Eucharist in their home. And then he disappears from their midst. One of the most iconic Eucharistic hymns of the Roman Catholic Church is St. Thomas Aquinas' "Adoro Te Devote." I have given a translation below from the famous English poet Gerard Manley Hopkins, hoping that it can serve as a subject for your personal prayer.  Adoro Te Devote by Saint Thomas Aquinas (Translated by Gerard Manley Hopkins) Godhead here in hiding, whom I do adore, Masked by these bare shadows, shape and nothing more, See, Lord, at Thy service low lies here a heart Lost, all lost in wonder at the God thou art. Seeing, touching, tasting are in thee deceived: How says trusty hearing? that shall be believed; What God’s Son has told me, take for truth I do; Truth Himself speaks truly or there’s nothing true. On the cross Thy godhead made no sign to men, Here Thy very manhood steals from human ken: Both are my confession, both are my belief, And I pray the prayer of the dying thief. I am not like Thomas, wounds I cannot see, But can plainly call thee Lord and God as he; Let me to a deeper faith daily nearer move, Daily make me harder hope and dearer love. O thou our reminder of Christ crucified, Living Bread, the life of us for whom he died, Lend this life to me then: feed and feast my mind, There be thou the sweetness man was meant to find. Bring the tender tale true of the Pelican; Bathe me, Jesu Lord, in what Thy bosom ran Blood whereof a single drop has power to win All the world forgiveness of its world of sin. Jesu, whom I look at shrouded here below, I beseech thee send me what I thirst for so, Some day to gaze on thee face to face in light And be blest for ever with Thy glory’s sight. Amen.

Episcopal Consecration (Part 3)

By Rev. Noah Carter • June 1, 2024
This is part three of a three-part series on Episcopal consecration.

Episcopal Consecration (Part 2)

By Rev. Noah Carter • May 26, 2024
This is part two of a three-part series on Episcopal consecration.

Episcopal Consecration (Part 1)

By Rev. Noah Carter • May 19, 2024
This is part one of a three-part series on Episcopal consecration.

Tiempo de Cumplimiento; Reino de Dios; Arrepentirse

By Rev. Noah Carter • February 18, 2024
Nuestra triple observancia de la Cuaresma corresponde al triple mandato de Cristo de responder a la Buena Nueva.

¿Donde está Satanás hoy?

By Rev. Noah Carter • January 28, 2024
Como en la sinagoga de Capernaum, ¿está Satanás entre nuestra congregación?

Notes on Fiducia Supplicans

By Rev. Noah Carter • December 19, 2023
Headlines misrepresent a recent document issued by Vatican

Vatican Update on Cremains

By Rev. Noah Carter • December 11, 2023
Vatican offers updated guidelines regarding the handling of cremated remains

Ove and Joan of Arc

By Rev. Noah Carter • September 3, 2023
A particularly good novel that I finished earlier in the year is A Man Called Ove , by Swedish author Fredrik Backman. First released in 2012 in Swedish, it hit the market in English just a year later and was on the NYT Best Seller list for over 10 months. Ove is a 59-year-old man who is wrestling with sadness and loneliness after having lost his wife Sonja. His neighbors and the townsfolk see him as a crotchety old man with a disdain for others. He has difficulty dealing with others as he is all caught up in his fond memories of his wife and recollections of their life together. Throughout the tale, I enjoyed the author’s keen insights into the human psyche, especially how sadness and loss can cripple one’s ability to form new relationships and darken one’s view on life around them. As the story unfolds, Ove is confronted with new situations, neighbors, and experiences that allow him to come out of his isolation and find meaning in community as a sort-of new family. It is truly a heartwarming read. If I read it again, it would be during winter by a fire with a cup of tea; that now seems the best setting. Warning: the book contains material revolving around depression and suicidal ideation. I came across an interesting read in May — interesting because I found the book per chance at a book giveaway, did not have much hope for it, and ended up content upon finishing it. I am usually disappointed in modern retellings of the lives of the saints, especially when so many modern non-Catholic authors try to debunk the supernatural or discredit the Catholic Church in the way they re-tell the story. I was quite happy with Kathryn Harrison’s Joan of Arc: A Life Transfigured . Born in the 15 th Century, Joan of Arc led her fellow Frenchmen into battle against England. She claims that angelic voices led her to do so. Captured during the siege of Compiègne, she was put on trial by the English ecclesiastical authorities. After a trial verdict of guilty that was posthumously overturned, she was burned at the stake at age 19 for blasphemy, heresy, and following demonic visions. Much legend surrounds her life, especially fantastical accounts of her prowess in battle. Harrison attempts (successfully, in my opinion) to entertainingly tell Joan’s story devoid of unhistorical details that lack evidence. Her sources include Scripture, historical accounts, and the trial records kept during Joan’s prosecution. While I do not agree with all of Harrison’s portrayals and conclusions, the book as a whole is a very unique look at the life of the Maiden of Orléans.

The Thanatos Syndrome

By Rev. Noah Carter • August 27, 2023
In preparation for a faculty in-service at Bishop McGuinness Catholic High School, I reread this summer C.S. Lewis’ The Great Divorce . The title pays homage to William Blake’s poem The Marriage of Heaven and Hell. In Lewis’ short story (less than 150 pages), we follow the narrator on a bus ride to a fantastical place along with many grumpy passengers. When they disembark, they are revealed to be ghosts. There are a number of descriptions that seek to pin down the precise meaning of Lewis’ allegory. I have always described it as souls from hell are given one day at the doors of paradise, but must confront someone they knew in life who is now in heaven. The dialogue is fast-paced and makes the reader reflect about their own actions, responses, and priority of loves in their own life, but weighed against the love they have for heaven. In terms of southern, Catholic authors, Flannery O’Connor and Walker Percy are two of my favorites. Walker Percy (1916-1990) lived most of his life in Louisiana and was an Oblate of St. Benedict. He was trained as a physician but, after contracting tuberculosis, dedicated his life to philosophy and writing. This summer, I read Percy’s last novel The Thanatos Syndrome , published in 1987. It is a sequel to Love in the Ruins . It is set in the not-too-distant future in a town where residents are experiencing “off” behaviors. It follows a psychiatrist and lapsed Catholic who returns to his hometown and begins observing strange behaviors in the residents, including his wife with whom he is no longer in love. He feels compelled with the assistance of his cousin to figure out what the root cause is. One element that I enjoy in Percy’s novels is that there is always a fallen priest character that is secondary to the main plot. In The Thanatos Syndrome , the local parish priest has been replaced because he has given up the ministry and run off to live in a wildfire watch tower in a nearby National Forest. The interchanges between the psychiatrist and priest are comical, enlightening, and quite on the nose about fallen human nature. Altogether, the novel moves briskly in its plot as it introduces a number of poignant themes: the fallen hero; a world gone crazy; science’s role in the devaluing of human dignity; and the inability of society to function without a shared language and shared moral values. As a caveat, let me be clear, this is not a novel for young ones as there are some adult themes present.